Creating to the Glory of God
"Steve Taylor on Blue Like Jazz and Christian Art", Interview by Josh Larsen at thinkchristian.net (April 12, 2012).
A lot of the church’s art in the last 50 years has become very sentimental and very earnest. And of course there’s nothing wrong with being earnest, but I don’t see that as a particularly Biblical way of communicating. We certainly don’t see that in the stories of the parables of Christ and even in the Old Testament prophets and how they communicated. … I don’t know what it is. It’s almost like … we’re defenders of the faith, like Christianity is going to come falling down unless we’re careful with how we present it. That’s not really how it works, you know? In fact, that’s really kind of arrogant. So yeah, we can afford to create movies that ask questions and certainly don’t have all the answers and use satire and all the different communication tools at our disposal.
Intellectuals Don't Need God and Other Modern Myths (Zondervan: 1993), pp. 178-9.
If the world seems attractive, the Christian must ensure that God, as its creator, is seen to be even more attractive. The world reflects the attractiveness of its creator, as the moon reflects the light of the sun. ¶ Two incidents from classical Greek mythology suggest themselves here. Homer introduces us to the Sirens, a group of women whose singing was so seductive that they caused sailors to crash their vessels through inattention to their duties. When Ulysses was attempting to sail his ship past the Sirens, he prevented the Sirens from causing any difficulties by the simple expedient of blocking his sailors' ears so that they could not hear the captivating Siren song. Orpheus, on the other hand, was a skilled lyre player. His method of dealing with this kind of threat was rather indifferent. He played his lyre, the music of which proved so enchanting and fascinating that its beauty totally outweighed anything else.
Brian Godawa (InterVarsity Press: Jul 2009), 261 pages.
Do you watch movies with your eyes open? You buy your tickets and concessions, and you walk into the theater. Celluloid images flash at twenty-four frames per second, and the hypnotic sequence of moving pictures coaxes you to suspend disbelief and be entertained by the implausible. Unfortunately, many often suspend their beliefs as well, succumbing to subtle lessons in how to behave, think and even perceive reality. Do you find yourself hoping that a sister will succeed in seducing her sibling's husband, that a thief will get away with his crime, that a serial killer will escape judgment? Do you, too, laugh at the bumbling priest and seethe at the intolerant and abusive evangelist? Do you embrace worldviews that infect your faith and then wonder, after your head is clear, whether your faith can survive the infection? In this thoroughly revised and updated edition of his popular book, Brian Godawa guides you through the place of redemption in film, the tricks screenwriters use to communicate their messages, and the mental and spiritual discipline required for watching movies. Hollywood Worldviews helps you enter a dialogue with Hollywood that leads to a happier ending, one that keeps you aware of your culture and awake to your faith. ~ Product Description
William D. Romanowski (Brazos Press: Feb 1, 2007), 272 pages.
Grounded in Christian principles, this accessible and engaging book offers an informed and fascinating approach to popular culture. William D. Romanowski provides affectionate yet astute analysis of familiar, well-loved movies and television characters from Indiana Jones to Homer Simpson, and he speaks with historical depth and expertise on films from Casablanca to Crash and music from Bruce Springsteen to U2. Romanowski's confessional approach affirms a role for popular culture in faithful living. Practical, analytical approaches to content, meaning, and artistic style offer the tools to participate responsibly and imaginatively in popular cultural activities. An engaging read, this new edition introduces students and thoughtful readers to popular culture — one of the most influential forces in contemporary society.
David Bentley Hart (Eerdmans: Oct 31, 2004), 448 pages.
The Beauty of the Infinite is a splendid extended essay in "theological aesthetics." David Bentley Hart here meditates on the power of a Christian understanding of beauty and sublimity to rise above the violence — both philosophical and literal — characteristic of the postmodern world. The book begins by tracing the shifting use and nature of metaphysics in the thought of Kant, Hegel, Nietzsche, Heidegger, Lyotard, Derrida, Deleuze, Nancy, Levinas, and others. Hart pays special attention to Nietzsche’s famous narrative of the "will to power" — a narrative largely adopted by the world today — and he offers an engaging revision (though not rejection) of the genealogy of nihilism, thereby highlighting the significant "interruption" that Christian thought introduced into the history of metaphysics. This discussion sets the stage for a retrieval of the classic Christian account of beauty and sublimity, and of the relation of both to the question of being. The main section of the book offers a pointed reading of the Christian story in four moments, or parts: Trinity, creation, salvation, and eschaton. Through a combination of narrative and argument throughout, Hart ends up demonstrating the power of Christian metaphysics not only to withstand the critiques of modern and postmodern thought but also to move well beyond them. Strikingly original and deeply rewarding, The Beauty of the Infinite is both a constructively critical account of the history of metaphysics and a compelling contribution to it.
Thomas Dubey (Ignatius Press: Sep 1999), 320 pages.
The physicist who knows nothing about Scripture and the theologian ignorant of calculus may yet see eye to eye on the remarkable power of beauty to manifest the presence of truth. It is this probative force of beauty that drives Dubay's impressive reflection on how the perception of harmony instills a sense of conviction among honest seekers in both science and religion. With the help of testimony from a wide range of scientists, Dubay discerns a pattern of elegance and symmetry uniting everything from the astrophysics of the cosmos to the biology of the cell. Disdaining the crabbed literalism of creationist science (which he dismisses as fallacious), Dubay uses the metaphysical intuition of beauty to challenge neo-Darwinian dogmatists who deny the existence of design in our curiously fine-tuned universe. Non-Catholics may protest that Dubay overextends his argument when he concludes with a defense of Catholicism as the supreme depository of truth and beauty, but readers need not endorse Dubay's Catholic orthodoxy to benefit from his philosophic insights. Bryce Christensen for Booklist
Colleen McDannell (Yale University Press: Jan 24, 1996), 328 pages.
It's tough to be devout and kitschy at the same time, but Colleen McDannell strikes that delicate balance with admirable poise in Material Christianity: Religion and Popular Culture in America. Her book is an argument that "American Christians ... want to see, hear, and touch God. It is not enough for Christians to go to church, lead a righteous life, and hope for an eventual place in heaven." This argument is amply defended by smart essays about family Bibles, gravestone design, and Lourdes Water, as well as hundreds of illustrations of vestments, churches, portraits of Jesus, rapture T-shirts, and backyard statues of Our Lady. Where Material Christianity gets really interesting, however, is in its assertion that "Christian material culture does not simply reflect an existing reality. Experiencing the physical dimension of religion helps bring about religious values, norms, behaviors, and attitudes." For example, the warmth and intimacy of Warner Sallman's painting "Head of Christ," which hung in almost every Protestant Sunday School classroom in America until the 1960s, was probably every bit as influential as any given phrase from the Sermon on the Mount in determining the personal nature of Protestants' relationships with Jesus. Material Christianity covers a lot of ground — from Mormonism to fundamentalism — and every chapter is as theologically wise as it as aesthetically astute. ~ Amazon.com