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The Argument from Evil
All > Categories > God? > Suffering & Evil (16)
 
The Brothers Karamazov, Constance Black Garnett, trans. (Modern Library: 1977), p. 244.
It's not that I don't accept God, you must understand, it's the world created by Him I don't and cannot accept. Let me make it plain. I believe like a child that suffering will be healed and made up for, that all the humiliating absurdity of human contradictions will vanish like a pitiful mirage, like the despicable fabrication of the impotent and infinitely small Euclidian mind of man, that in the world's finale, at the moment of eternal harmony, something so precious will come to pass that it will suffice for all hearts, for the comforting of all resentments, for the atonement of all the crimes of humanity, of all the blood they've shed; that it will make it not only posible to forgive but to justify all that has happened with men — but though all that may come to pass, I don't accept it. I won't accept it.
Why I Am Not a Christian (Simon and Schuster: 1957), p. 12.
If you are quite sure there is a difference between right and wrong, you are then in this situation: Is that difference due to God's fiat or is it not? If it is due to God's fiat, then for God Himself there is no difference between right and wrong, and it is no longer a significant statement to say that God is good. If you are going to say, as theologians do, that God is good, you must then say that right and wrong have some meaning which is independent of God's fiat, because God's fiats are good and not good independently of the mere fact that he made them. If you are going to say that, you will then have to say that it is not only through God that right and wrong came into being, but that they are in their essence logically anterior to God.
"Tremors of Doubt" at The Wall Street Journal (Dec 31, 2004). Of 2004's Indian Ocean tsunami.
As a Christian, I cannot imagine any answer to the question of evil likely to satisfy an unbeliever; I can note, though, that — for all its urgency — Voltaire's version of the question is not in any proper sense "theological." The God of Voltaire's poem is a particular kind of "deist" God, who has shaped and ordered the world just as it now is, in accord with his exact intentions, and who presides over all its eventualities austerely attentive to a precise equilibrium between felicity and morality. Not that reckless Christians have not occasionally spoken in such terms; but this is not the Christian God.
Why I Believed: Reflections of a Former Missionary, (Daniels: 2009), chp. 2, Crisis #6.
In October 2001 there was an incident reported in the local news that tipped my perspective farther from deism toward an atheistic-leaning agnosticism. A driver struck a pedestrian on a freeway in Fort Worth and continued the journey home, parking in the garage with the victim still on the hood of the car. The victim was conscious and pled for help, but the driver simply left him there for four days until he died, then with the help of a friend, dumped the body in a local park. The universal reaction to this incident was one of shock and outrage. Yet as I considered the millions of children who have died of starvation, wasting disease, and natural disasters, knowing that an omnipotent god could have come to their rescue in response to their pleas but did not, it was difficult not to see a parallel between God and the negligent driver. The more I contemplated the world in which we live, the harder it became to identify any clues that a benevolent, omnipotent Personality intervenes and orchestrates any of the events in our lives.
"A Dramatic Inferno" in Nation (July 6, 1912). Cited in Unamuno, Tragic Sense of Life.
If there were in the world a sincere and total pessimism, it would of necessity be silent. The despair which finds a voice is a social mood, it is the cry of misery which brother utters to brother when both are stumbling though a valley of shadows which is peopled with — comrades. In its anguish it bears witness to something that is good in life, for it presupposes sympathy. ... The real gloom, the sincere despair, is dumb and blind; it writes no books, and feels no impulse to burden an intolerable universe with a monument more lasting than brass.
"That Hurts", Books and Culture: A Christian Review (May/June 2008, p. 32)
Theologians blithely attribute pain to the Fall, ignoring the marvelous design features of the pain system. Every square millimeter of the body has a different sensitivity to pain, so that a speck of dirt may cause excruciating pain in the vulnerable eye whereas it would go unreported on the tough extremities. Internal organs such as the bowels and kidneys have no receptors that warn against cutting or burning—dangers they normally do not face — but show exquisite sensitivity to distention. When organs such as the heart detect danger but lack receptors, they borrow other pain cells ("referred pain"), which is why heart attack victims often report pain in the shoulder or arm. The pain system automatically ramps up hypersensitivity to protect an injured part (explaining why a sore thumb always seems in the way) and turns down the volume in the face of emergencies (soldiers often report no pain from a wound in the course of battle, only afterwards). Pain serves us subliminally as well: sensors make us blink several times a minute to lubricate our eyes and shift our legs and buttocks to prevent pressure sores. Pain is the most effective language the body can use to draw attention to something important.
The Black Swan (Random House: 2007), p. 8.
History is opaque. You see what comes out, not the script that produces events, the generator of history. There is a fundamental incompleteness in your grasp of such events, since you do not see what's inside the box, how the mechanisms work. What I call the generator of historical events is different from the events themselves, much as the minds of the gods cannot be just by witnessing their deeds. You are very likely to be fooled about their intentions. ¶ This disconnect is similar to the difference between the food you see on the table at the restaurant and the process you can observe in the kitchen. ... the human mind suffers from three ailments as it comes into contact with history, what I call the triplet of opacity. They are: a) the illusion of understanding, or how everyone thinks he knows what is going on in a world that is more complicated (or random) than they realize; b) the retrospective distortion, or how we can assess matters only after the fact, as if they were in a rearview mirror (history seems clearer and more organized in history books than in empirical reality); and c) the overvaluation of factual information and the handicap of authoritative and learned people, particularly when they create categories — when they "Platonify."
The Brothers Karamazov, Constance Black Garnett, trans. (Modern Library: 1977), p. 254.
There was in those days a general of aristocratic connections, the owner of great estates, one of those men — somewhat exceptional, I believe, even then — who, retiring from the service into a life of leisure, are convinced that they’ve earned absolute power over the lives of their subjects. There were such men then. So our general, settled on his property of two thousand souls, lives in pomp, and domineers over his poor neighbours as though they were dependents and buffoons. He has kennels of hundreds of hounds and nearly a hundred dog-boys — all mounted, and in uniform. One day a serf-boy, a little child of eight, threw a stone in play and hurt the paw of the general’s favourite hound. ‘Why is my favourite dog lame?’ He is told that the boy threw a stone that hurt the dog’s paw. ‘So you did it.’ The general looked the child up and down. ‘Take him.’ He was taken — taken from his mother and kept shut up all night. Early that morning the general comes out on horseback, with the hounds, his dependents, dog-boys, and huntsmen, all mounted around him in full hunting parade. The servants are summoned for their edification, and in front of them all stands the mother of the child. The child is brought from the lock-up. It’s a gloomy, cold, foggy, autumn day, a capital day for hunting. The general orders the child to be undressed; the child is stripped naked. He shivers, numb with terror, not daring to cry.... ‘Make him run,’ commands the general. ‘Run! run!’ shout the dog-boys. The boy runs.... ‘At him!’ yells the general, and he sets the whole pack of hounds on the child. The hounds catch him, and tear him to pieces before his mother’s eyes!... I believe the general was afterwards declared incapable of administering his estates. Well — what did he deserve? To be shot? To be shot for the satisfaction of our moral feelings? Speak, Alyosha!
Third Statement The Fernandes-Martin Debate
On most interpretations of the theistic God, He desires His creatures to love Him. However, the mystery of evil conflicts with this desire. It is difficult for rational humans to love God when they do not understand why there is so much evil. If the reasons for evil are beyond humans' ken, God could at least make THIS abundantly clear. Why does He not do so? Moreover, why does not an all-powerful God have the power to raise human intelligence so humans can understand why there is so much evil? If there is reason for not doing this, then why is THIS not made clear? There is mystery on top of mystery here which seems to conflict explicitly with God's desire to be loved.
River Out of Eden: A Darwinian View of Life (Basic Books: 1995), p. 133.
The total amount of suffering per year in the natural world is beyond all decent contemplation. During the minute that it takes me to compose this sentence, thousand of animals are being eaten alive, many others are running for their lives, whimpering with fear, others are slowly being devoured from within by rasping parasites, thousands of all kinds are dying of starvation, thirst, and disease. It must be so... In a universe of electrons and selfish genes, blind physical forces and genetic replication, some people are going to get hurt, other people are going to get lucky, and you won't find any rhyme or reason in it, nor any justice. The universe that we observe has precisely the properties we should expect if there is, at bottom, no design, no purpose, no evil, no good, nothing but pitiless indifference.
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